This text tries to show how Nietzsche, during the last stage of his philosophy is able to uovercome the metaphisical aestheticism of The Origine of tragedy and elaborates a new image of Dionysos all in al 1 a la Nietzsche, cleaned from all wagnerian and schopenhauerian traces. In this stage, art is thought no longer from the tension Apolo- Dionysos but from a totally dionysiac perspective; the opposition is now between Dionysos and the crucified, and implies a new comprehension of life's affirmation and the meaning of suffering. The Philosopher-Artist will be Dionysos' new image and the determination of a new classicism.